#Shut in ratings movie

You leave the theater feeling inspired rather than just relieved. Many great movies raise your adrenalin levels, but they do so in the process of telling an exciting, redemptive story. There’s probably a lesson in that, considering the state of our families and our education system, but then again, maybe not. Common sense will keep you alive, but it might not get you very far. Your greatest tools are also your worst enemies. It presents a depressing picture of modern, selfish psychopathic children. SHUT IN is about tension and discomfort in a familiar environment. There’s nothing really redemptive about SHUT IN. God is only mentioned in moments of surprise, and problems are to be dealt with using drugs and psychological treatment. The worldview is basically a humanist one. SHUT IN has a scene of side-view female nudity (not sexual), and there are a few bad words. The answer of course is because there are some moviegoers willing to pay money merely to see doors open to dark rooms and hear creepy music. As with so many similar movies, any sane person wonders why the victim chooses to say in such a house to be tormented night after night.

#Shut in ratings movie

Before he can be picked up, he disappears.įrom this point on, the movie is little more than an excuse to make creaking sounds, open doors to dark rooms, play creepy music, and make viewers wonder what’s going to pop out at them next and cause the music to spike suddenly. One boy, Tom, is about to be sent away, but escapes and shows up that night at her house. Mary works from her house as a clinical psychologist attempting to help difficult children. Each day he’s wheeled into position in front of a large screen for hours and hours of news broadcasts. He’s fed and bathed with no apparent response. NOTE: This is a review of the film, rather than of reading of the screenplay itself, and how it differs from Arthur Schnitzlers novella, Dream Story. He is quadriplegic and virtually a vegetable. Skipping six months, Mary cares for Stephen at their home. Stephen looks demonically angry and causes an accident that kills his father. SHUT IN opens with Mary’s stepson, Stephen, being driven by his father to a school for problematic children. It’s like taking drugs without actually taking drugs and should be avoided by anyone seeking uplifting entertainment. SHUT IN is a movie made to boost adrenalin levels using music, lighting and camera angles to generate the maximum level of fear. It presents a depressing picture of modern, selfish psychopathic children.

There’s nothing really redemptive or inspiring about SHUT IN, which relies on unimaginative horror movie techniques. It has a scene of partial nudity and some foul language. Shut In is a competent and engaging drama thriller that uses its single location premise. SHUT IN is little more than an excuse to make creaking sounds, open doors to dark rooms, play creepy music and make viewers wonder what’s going to pop out next. When one of Mary’s other patients disappears, someone starts stalking their house, with the intent of trying to kill her. Six months later, Mary cares for a supposedly paralyzed and comatose Stephen at their home. Rob and Sammy leave with Lainey and Mason left to fend for themselves alone upstairs.SHUT IN, a psychological horror movie, opens with Mary’s stepson, Stephen, being driven by his father to a school for children with behavioral problems. Rob is still an addict and proves to be an absolute piece of shit when he rescues Jess from the pantry only to have an argument with her and then lock her back in again. But things turn nasty when Lainey’s father Rob (Jake Horowitz) arrives with his new friend Sammy (Vincent Gallo) who is also a meth-head and a suspected child molester. Her relationship with her daughter is very sweet and there’s a charm about how they interact with each other, especially when Jess locks herself in the large pantry and she has to ask Lainey to look after her baby brother Mason. There is a bit of exposition early on when Jess continually tells her daughter Lainey about her previous misgivings and why she’s moving away and so forth but it never becomes desperate. It’s pretty clear right away that she’s had some sort of arduous and unhealthy past and the first twenty minutes, rather unsubtly, sets up what's about to unfold. Rainey Qualley plays Jess, a former drug addict mother of two who is selling her grandmother's beat-up old country house in hopes of moving onto greener pastures with her young children.